
Antwerp, est. 1998
Quiet mornings.
Bed linen cut and sewn in one Antwerp atelier. Linen, percale, sateen — washed soft before it ever reaches you.
View the collectionAmstel in ivory stone-washed linen. Morning light, our showroom.
Fibre
Belgian flax grown within two hundred kilometres of the atelier; long-staple cotton chosen slowly. Nothing blended, nothing brushed to fake softness.
Weave
Four weaves, each with a reason: stone-washed linen, crisp percale, smooth sateen, airy double gauze. If a weave is not here, we do not sew it.
Time
Every set is washed before it is sewn and sewn to be washed for decades. Softness is not a finish we apply; it is what the years do.
Materials
A complete list
We sew with five materials. Each is listed here with its origin and its reason. There is no sixth.
Belgian linen
Flax grown and woven within two hundred kilometres of the atelier, stone-washed once before cutting so it arrives already broken in. It sleeps cool in summer and warm in winter, and it only improves: ten years in, a Velvaar linen set is at its best.

Percale
Two hundred threads of combed cotton in a plain, matte weave — the crisp, cool side of the bed. It is what good hotels use, for the same reason we do: it survives industrial decades of washing and always looks intentional.

Sateen
Four hundred threads of long-staple cotton, woven so the surface runs smooth and catches low light. Heavier in the hand than percale, warmer to the touch, and quietly formal in the way well-made tailoring is formal.

Double gauze
Two layers of fine cotton muslin, tacked together invisibly, with air doing most of the work. It is the lightest thing we sew and the first thing children claim. It crinkles by design and never needs an iron.

Corozo and thread
Buttons turned from corozo nut — matte, hard-wearing, plastic-free — set into hidden plackets so nothing touches a sleeping face. Seams are double-turned and sewn with cotton thread. Small parts, but bedding fails at the small parts.

Collection
Eight pieces, one standard
The same standard throughout — honest fibre, careful seams, washed soft before sewing. The pieces differ in one thing only: how you like your bed to feel.
Amstel in oat stone-washed linen. Shown against the north wall of the atelier, first light.
House
One atelier. No factories.
VELVAAR began in 1998, when two Antwerp seamstresses decided the linens they sewed for other houses should carry their own name.
The first workshop was a rented corner of a dockside warehouse: one cutting table, two sewing machines, a vanload of Belgian linen from a closing-down mill. The table is still in use. The linen became the first Lier — and the first Lier, sewn in 1998, is still in use in the atelier's guest room.
Growth has been deliberate: fourteen people, one building on Verlatstraat, everything cut and sewn under one roof. We do not license production. A set with our label was sewn by someone whose name we could tell you.
Everything is washed before it is sewn — so it arrives soft, honest about its size, and ready for the first night. Most orders leave the atelier within a week.
Contact
Write, call, or come by
Enquiries are answered by the atelier, not an office. Tell us about the bed, the sleeper, the room that runs hot or cold — we will answer with something useful.
Thank you.
Your enquiry has reached the atelier. We reply personally, usually within two working days.